Marc Namblard « Gisements (1) » mCD
Audio CDr [ju10]
« Gisements (1) »
Troisième numéro de la série de CD « La Rivière », « Gisements (1) » par Marc Namblard est un nouveau travail à partir de, et inspiré par, la série d'enregistrements réalisés autour de la vallée du Taurion.
- photographies de Yves Lapeyre
Marc Namblard
Né en 1973 à Paris.
Vit dans le Loiret jusqu'à l'âge de 19 ans puis s'installe en Lorraine, dans
les Vosges, pour suivre ses études aux Beaux-Arts d'Epinal (aujourd'hui
rebaptisée École Supérieure d'Art d'Epinal).
Obtient le DNSEP (Diplôme National Supérieur d'Expression Plastique) en juin
2000.
Depuis, vit et travaille toujours en Lorraine comme éducateur à l'environnement, audionaturaliste et artiste sonore.
Photo : Martine Schnoering
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Audio CDr [ju10]
« Gisements (1) »
Third issue of the CD series « La Rivière », « Gisements (1) by Marc Namblard is a new work from and inspired by the series of recordings made around the Valley Taurion.
- photographs by Yves Lapeyre
Marc Namblard
Born in 1973 in Paris.
Lives in Loiret until the age of 19 years and then moved to Lorraine, the Vosges, to pursue his studies at the Beaux-Arts d'Epinal (now renamed Ecole Superieure d'Art d'Epinal).
Gets the DNSEP (Higher National Diploma in Plastic Expression) in June 2000.
Since then, still lives and works in Lorraine as an educator in the field of environment, « audionaturaliste » and sound artist.
Photo : Martine Schnoering
Review in vital weekly
Just what 'prises de sons' means I don't know, but my best guess would be that that it means gathering of sounds, which was done by Cedric Peyronnet and Marc Namblard. He has a CD 'Chants Of Frozen Lakes' (reviewed in Vital Weekly 624), and then was never heard of again, by me that is. Here the two men recorded sounds from Vallee du Taurion, and Namblard is responsible for editing the sounds into a piece of music. He does that with great care and lots of help from the computer. The frequencies are all pushed up to the limit, and all sorts of plug-ins are used to make a lively piece of soundscaping. Namblard uses the tactic of collage, which is means there are sudden shifts and changes in the material, which add a great vibrant thing to the music. At times we recognize the field recordings, water, insects, rain, and at other times there is a lot to guess about it. A great, refined piece of music, highly dramatic and very lively. Excellent. (FdW)
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